Printmaking Today - Winter 2023 - Issue 128
Cover
I'll Never Be Back Home (2022)
Somayeh Faal
Digital Print on concrete, Chine Colle, osmosis process 254 x 228mm
Welcome Leonie Bradley ARE Editor
Printmaker's Diary
Multi-disciplinary artist, Alice Irwin, who works predominantly in printmaking and sculpture, on a busy season of print shows and preparations
Cuttings
Exhibition
Enough on our plates - Joanna Rucklidge at Sheffield Food Works
Award
Start them young
WCPF Young London Print Prize
Book
Parallel Lives
Exhibition
Reclamation
Cuttings
Residency
Undertow
RISE in Frome
Exhibition
Drinkers of the Wind
Expanded Practice
Autographic Aesthetic Lisa Sheppy
Views of memories
Profile
Der Krieg
Embarking on a series of war prints led Marcus Rees Roberts to study the significant, and devastatingly still-relevant, etchings by Otto Dix
State of the Art
Congratulations to winning graduate artists Hammer Chen, Pascal Miehe and Somayeh Faal Pascal Miehe, Duncan of Jordanstones College of Art and Design, Dundee, UK
Somayeh Faal, University of Mississippi, Oxford, USA Hammer Chen, University of the West of England, Bristol, UK
Profile
Prints of Parody
Richard Noyce takes a close look at the satirical linocuts of Rew Hanks that display the tensions and tragedies of colonial rule
Profile
Roma Auskalnyte explores her body as material across disciplines, with printmaking intrinsic to her practice, writes Kylee Aragon Wallis of Tamarind Institute
Artists' Books
Family Ties Artist Terrie Reddish explains to Sarah Bodman how book artists in New Zealand are building creative connections and book arts’ networks
#WIP
Ship to Shore
Following a seabound residency, Chris Sleath, of Veloset Press, discusses the artists and aesthetic influences that have informed his practice
Profile
Visual Equivalents
To investigate the mind and self,
Susan Aldworth
embodies mutability and transformation in both her plates and prints, writes Gill Saunders
Curating
State of Play
Ria Czerniask-LeBov delves into the playful, generative potential of the multiple in the practices of Des Kenny, Margot Galvin and Niamh Flanagan
Print Workshop
New Foundations
Alastair Clark, Head of Editions at Edinburgh Printmakers, reflects on the benefits and challenges of the organisation's relocation to Castle Mills
Opinion
The Inherently Printerly
Steve Lovett surveys texts and different approaches to printmaking in his enquiry to answer the question: 'What makes print a print?'
Bookshelf
Rachel Marsh Artist and writer
Book Reviews
Previews
Another Side of Light
11-17 Dec 159 Bethnal Green Road, London E2 7DG
espaciogallery.com
Art of Enterprices: Israhel van Meckenem's 15th-century Print Workshop
18 Dec -24 Mar 2024
Chazen Museum of Art, University of Wisconsin, Madison, WI 53706
chazen.wisc.edu
Artist's Eye
Alexandra Hobson was awarded the Printmaking Today prize at the RE's International Original Print Exhibition for her screenprint Rhapsody (Cloud Study)
Year | 2023 |
---|---|
Volume | 32 |
Issue | 128 |