Printmaking Today - Winter 2021 - Issue 120
Cover
Fire House forming part of the the graphic installation You Set the Scene (2020/21) Alejandra Aguilar Caballero. Graphic object ( arranged reduction woodcut and collage on paper) and LED lights, 450 x 350 x 150 mm
Welcome
Leonie Bradley
Printmaker's Diary
Against the backdrop of Covid and COP26, Victoria Ahrens reports on a season of shows close to home in London
Cuttings
Symposium - Poet-Printer- Publishers unite!
Conference - Sume-Fusion
APP - Printmakers on Clubhouse
Book - Artists' hands
Project - The incredible journey - Julia Manning's The Decline of Eels
Exhibition - Under the skin
Expanded Practice - Mapping New Landscapes - Floating wonder
Profile
Valuable Space
For artist Nicole Polonsky, print allows her to create multiple interrelated and self - referential series that exactingly align form and content, writes Tessa Peters
Observer on the Scene
Zuzanna Dyrda talks to hybrid media artist Paul Catanese and discovers that the matrix is embedded at the heart of his performative practice
From Somewhere in Kyiv
Olesya Dzhurayeva, a Ukrainian linocut artist capturing fleeting moments, is on a steep trajectory upwards, writes Richard Noyce
#WIP
#EYE#ROBOT#WIP
Inspired by outer space, Elizabeth Lloyd ARE, reworks graphic imagery with digital technologies and explores the parallels between real and imagined space
ARTISTS' BOOKS
San Francisco Center for the Book celebrates its past and future in artists' books, Sarah Bodman finds out more
State of the Art
Once again, this year's graduates from across the globe have shown incredible resilience during extraordinary circumstances. Congratulations to our winning artstis Jo-Anne McAllister, Alejandra Aguilar Cabllero and Gao Yiran
Profile
Art Critic John O'Sullivan traces a circuitous route into printmaking, a ghostly encounter and travels in the East for Stephen Lawlor
Obituaries
Dame Elizabeth Blackadder RA RSA (1931-2021)
Peter Forster (1934-2021)
Technical
The Power of Electro-etching
Dr Malgorsata Oakes discusses the health and environmental advantages of electro-etching over traditional etching and shares some of her discoveries with the technique
Artists' Books
Material Encounters
Renata Pekowsja considers whether artists' books can help us understand the impact of the pandemic and digital switch of 2020
Book Review
Early Colour Printing. German Renaissance Woodcuts at the British Museum
Bookshelf
Professor Andrew Kulman NTF MA (RCA)
Book Reviews
Resources
Opportunities
Previews
Listings
Printmaker's Eye
Reanimating the Past
Matthew Lintott was awarded the Printmaking Today Prize at the Woolwich Contemporary Print Fair for his print collaborations between the living and the dead
Year | 2021 |
---|---|
Volume | 30 |
Issue | 119 |