Printmaking Today - Summer 2023 - Issue 126

Welcome
Leonie Bradley
ARE Editor


Printmaker’s Diary

Print Center New York Executive Director, Judy Hecker, shares insights into four New York City exhibitions presenting printmaking in unexpected way


Cuttings

Residency
Uprooted Visions
- Edinburgh Printmakers  In from the margin residency programme

Workshop

Print Fife!

Swarm - Installation in the Westgate - Oxford

Exhibition 

The Worlds Between - Mary Dalton  - Kaleidoscope Gallery Sevenoaks

Residency

Opening doors  Valeska Hykel - Print Club London

Exhibition 

Tracery - Déirdre Kelly at Brantwood, Coniston

Publication
Lost England - F.L. Griggs  - Gerrish Fine Art

Mini Print
¡Viva la impresión!  - Santander 

Expanded Practice

Mechanical Confection

Augmented Encounters

Profile
The Best Way to be Alive

Yinka Shonibare CBE RA discusses being an artist and how the recurrent themes of identity, class and race feature in his works on paper, with Romina Provenz

Profile
What comes out of collaboration?

When print-artist, Liz Ingram, and exhibitions designer, Bernd Hildebrandt join forces the results take museum spaces into experiential frontiers, wrote Derek Beasant


Artist’s Eye
Colin Gillespie won the Printmaking Today prize for his mixed media print, Provocation, 
at The Printmakers’ Council show ‘Thinking for Printing’

Profile
Ordinary plants have long captivated Jaclyn Mednicov, in their mutability across print’s transfer processes, 
writes Claire Cuccio


Artist Books
Depths of Fields
Through overlaying and overlapping, Chrystal Cherniwchan and Craig Tattersall bring print and 
sound together in their collaborative works, writes Sarah Bodman

#WIP
Cloudscape
Jess Bugler explains the development of her Cloudscape series, inspired by her collagraph prints 
of unconscious drawing on found boxes

Profile
Philadelphia Formschneider
Rebecca Gilbertrecreates and reimagines Holbein’s Dance of Deathfor the 21st Century 
for a monumental series, to include 82 wood engravings, writes Joanne Price

Obituaries
Stanley Jones MBE Hon RE (1933–2023)
Peter Green OBE RE (1933–2023)
Steven Muñoz (1974–2023)


Techniques
Printing Memory
Jacqueline F Gribbin compares notes with printmakers, Mara Cozzolino and Bea Haines, who have 
also made their own ink from ashes, imbuing their prints with significant, personal meaning



Ephemeral Imprint
During a residency at Frans Masereel Centrum, to explore the intersection of ephemeral nature 
and resilience, Aya Imamura, experimented with printing on water

COLLABORATION
Archiving Legacy
Thanks to the vision of Stanley Jones MBE Hon RE, the Curwen Print Study Centre
has a remarkable archive, writes Grace Hailstone

Bookshelf
Fiona McIntyre ARE
Colourist painter-printmaker and curator

Book Reviews

Resources

Opportunities

Previews

Listings

In conversation
Repetition and Connection
Vanessa Wallace talks with artist Shanti Gelmi about the themes of 
connection, identity and behaviour that run through her practice











Year 2023
Volume 32
Issue 126