Printmaking Today - Summer 2022 - Issue 122
Cover
WeStand on Our Own Land (2022)
Photo: Olesya Dzhurayeva
Summer Issue Volume 31 Issue 122
Welcome
Leonie Bradley Editor
Diary Postscript
Richard Noyce
Printmaker's Diary
Olesay Dzhurayeva, the Ukrainian artist renowned for her linocuts, fled from her home and studio in Kyiv soon after the Russian invasion. These are excerpts from her diary.
Cuttings
Film
In which I go hunting
Flora McLachlan
Exhibition
New war: new art
Residency
Suffering in Silence
David Robertson
Public Art
Celebrating Guildford
Julie Hoyle
Artists' Books
BABE
Fundraising
Print for Ukraine
Cuttings
In brief
Expanded Practice
Alex Linfield
Unique aura
Debbie Godsell
Profile
Image and Word
Nan Mulder creates dual visual and written works that offer illuminating insights into her creativity and the challenges of making now, writes Richard Noyce
#WIP
Re-Rooted
Suman Gurjral creates prints and poetry to seek to understand her parents' forced displacement during Partition
PROFILE
Bearing Witness to the Past
Clare Phelan works with relics from the past that carry traces of the everyday, of ordinary lives lived, writes Dr Wendy Rhodes
Profile
Against Speechlessness
Anna Alcock talks to Mike Sims about anguish and rage in her prints, and how art can convey, absorb and even protect against pain
Artists' Books
Sarah Bodman talks to Andrew Morrison about his inspiration and process of creating letterpress printed bookworks with hand-cut glyphs
Artists' Books
Lockdown Collaborations
Artists' books and print project evolved in lockdown as artists sought new ways to collaborate remotely, writes Caitlin Akers
Profile
Tortured Souls
Ralph Kiggell ARE looks at how recent prints, drawing and dioramas by Dolores de Sade RE take restriction and uprooting as their themes
Conference
Making an Impact
Professor Carinna Parraman introduces highlights and the keynote speakers for IMPACT 12: The Printmakers' Voice, which returns to Bristol in 2022
Education
Making Money and Making Meaning
Beauvais Lyons introduces printmaking students to lithography at the University of Tennessee through a satirical exercise in the art of money making
Technical
Printed Glass
Dr Steve Brown introduces artist-researchers developing a visual language through printed glass media and the various technologies embraced
Bookshelf
Leonie Bradley
Book Reviews
Resources
Opportunities
Previews
Listings
Artist's Eye
Tabitha Fedden was awarded the Printmaking Today prize at the Royal Society of Birmingham Artists' Prints Prize 2022
Year | 2022 |
---|---|
Volume | 31 |
Issue | 122 |