Printmaking Today Volume 30 Issue 118 Summer Issue - June 2021

Cover Wall Object #1 (2019) Rosalind Lawless
Screenprint and soft pastel, collaged with laser cut on acrylic, 700 x 800 mm.   Photo: Alan Dimmick

Printmaker’s Diary
As galleries and museums burst into life again, artist and Print Studio Manager at Jealous, Adam Bridgland, relishes visiting some of the many shows around the country

PROFILE

A Constellation of Interests
Karen Kunc’s vibrant woodcuts reveal multiple influences and why she ‘stubbornly’ prefers print ‘with all the baggage that can entail’. Ralph Kiggell explores

PROFILE

WARNING: Art Is Dangerous
Carlos Barberena de la Rocha’s protest prints depict a restless world torn between the totalitarianism of the left and right, writes Chris Pig

PROFILE

View Finding
Nina Hanz explores Kristina Chan’s vast and diverse landscapes to examine how we establish identity through storytelling and shared histories

#WIP

Assembling Afresh
With a contemporary approach to collagraph, Sinclair Ashman describes some of the experimental processes he has developed in his work

ARTISTS’ BOOKS

His Dark Materials
Ian Andrews talks to Sarah Bodman about his collaboration with a particle physics group resulting in artists’ books exploring dark matter

EDUCATION

Passing Down the Skills
Jason Hicklin RE on the Printmaking Research Fellow post initiated by Norman Ackroyd CBE RA RE at the City & Guilds of London Art School

PROFILE

Research Materials
Saelan Twerdy unpacks Étienne Tremblay-Tardif’s archival approach to print culture’s complex histories

BREXIT

Masked Impact
Kieran Owens Discovers several areas of concern as he examines some of the initial effects of Brexit on the printmaking community

TECHNICAL
History Repeating Itself
Simon Lawson looks back to Alecto Editions for his grounding in à la poupée and forward with contemporary applications with Raqib Shaw and David Remfry

OBITUARY
Frank Connelly (1948–2021)

PROFILE
A Dream of Space and Light
Hetty Haxworth, Rosalind Lawless and Bronwen Sleighuse form and colour to evoke experience, writes Colin Greenslade, Director of the Royal Scottish Academy

PRINT WORKSHOP

Make Your Mark
Rosemary Simmons Hon RE reports on the history of The Curwen Print Study Centre and,  subject to funding, its exciting plans for expansion

Bookshelf
Mychael Barratt PPRE

Book Reviews

Resources

Opportunities

Previews

Listings

RESIDENCY

Anatomical Moulding

Using the ancient Chinese technique of takuhon, Daksha Patel created a body of contemporary work responding to her residency