Printmaking Today - Summer 2017 - Issue 102
Summer 2017 Volume 26 No 102
Cover - Landscape of the hear IV (2012) by Muhammad Atif Kahn
Inkjet print
Year | 2017 |
---|---|
Volume | 26 |
Issue | 102 |
Printmaking Today
Summer 2017 Volume 26 No 102
Cover - Landscape of the hear IV (2012) by Muhammad Atif Kahn
Inkjet print
Printmaker's Diary
Catherine Cartwright delves into artists' books in Eastern Australia
Profile
Dreamscapes of the Heart
Nan Mulder explores the dreamlike world of Muhammad Atif Khan's digital prints that borrow traditional Mughul miniatures and popular imagery
Interweaving in Print
Using indigenous imagery, Melanie Yazzie's monotypes subtly highlight the plight of the DIne. Claire Cuccio discovers a lifetime devoted to weaving their stories into print
Pooled Light
Clare Henry steps into the painterly etchings of Dawson Murray ARE that capture the ever-changing light in the face of adversity
Ahead of Me, Behind Me
Navigating the dichotomies in the work of Rebecca Salter RA, Mike Sims finds a balance in her elusive woodblock prints
Residency
Atelier Circulaire in Montreal is offering a new residency, John Graham enthuses about the facilities and introduces the deep visualization behind his series of surreal prints
Artist's Eye
RCA graduate Gianluca Craca won the Printmaking Today prize at the RE's National Original Print Exhibition in 2016 for his print Morpheme. He explains to Leonie Bradley how he makes his intriguing prints
Cuttings and News
Philip Reeves - Obiturary
Keiko Kadota - Obituary
Technical
Shifts and Variations
Actively deciding to move away from the certainties of Photoshop, Frea Buckler has developed a surprisingly low-tech and intuitive process to create spontaneous, one-off screenprints
Opinion
Hidden Mentor
Peter S Smith RE realises the underlying influence of master printmaker Simon Brett RE
Education
A Spanish Encounter
Chair of IMPACT, Carinna Parraman, reflects on their multi-disciplinary printmaking conferences since 1999
Practical
Celebrating Our Big Move
Director of Leicester Print Workshop, Lucy Phillips describes step-by-step the process of their remarkable achievement
Collections
An Enduring Love Deborah Roslund on her flourishing and ever-growing Zenith Art collection, which she has helped build through awarding print prizes and spotting early career artists
Plus Book Reviews - Listings - Resources