Printmaking Today - Autumn 2024 - Issue 131
Volume 33 Autumn 2024 Issue 131
Welcome Leonie Bradley ARE Editor
Printmaker's Diary
Looking Out, Breathing In
Running print workshops has been particularly challenging since Covid. Anna Wilkinson, artist and Director of Northern Print, reminds herself to carve out time for exhibitions
Cuttings
Exhibitions
Intersecting symbolism
Residency
Weaving Threads
RE Membership
Gwen May Awardees
Exhibition
Liverpool Book Arts
Award
Flourishing relics
Ian Chamberlain
Cuttings
An enduring affinity
Kate Dicker
Bursary
Standing Stones
Prize
Ironbridge Prints
Expanded Practice
Colluding with nature
Function following form
Maya McMahon-Boon
Profile
With and From Print
Inma Herrera Brings to light the processes, that are normally invisible to the viewer before a print is made, writes Ruth Pelkzer-Montada
Arresting Roots
Rebecca Swirsky interviews Sámi artist Tomas Colbengtson on the occasion of winning the Queen Sonja Print Award about his printmaking practice
Practical
Continental Drift
Jenny Robinson on the challenges, both professionally and personally, of moving continent to set up a community-access print studio
Profile
Albrecht Dürer
Marcus Rees Roberts on how Albrecht Dürer transformed the nature of printmaking and the concept of printmaker through his extraordinary technique
Artists' Books
Carbon Data Mining
Sarah Bodman talks to Caroline Saltzwedel of Hirundo Press, Hamburg about her new works exploring the histories of coal
Technical
Capturing Corrosion
Marian Kilpatrick discusses rust printing with Lydia Halcrow and Alice Fox, unearthing a shared fascination with its unpredictability and its collaborative possibilities
Profile
Expanding Universe
Hormazd Narielwalla constructs multi-layered compositions with a strong visual rhythm to explore identity and the human form, writes Emma Hill
Practical
Authenticating Prints
As the market for notable prints prospers, so too does the opportunity for fraud. Dominic Kemp provides a useful guide to spotting fakes
Obituaries
Kip Gresham (1951 - 2024)
Richard Bawden ( 1936 - 2024)
Phyllis Merriam (1953-2024)
Technical
Planting Prints
Dr Milena Michalski introduces the process of phytography and explains how to work with nature to create these alluring photographic prints
Book Review
Contact: Art and the Pull of Print - Jennifer L Roberts
Bookshelf
Carinna Parraman
Prof Design Colour Print, Centre for Print Research
Book Reviews
A Model Workshop: Margaret Lowengrund and The Contemporaries
Edited by Lauren Rosenblum and Christina Weyl
Printing with Natural Dyes
Nicole Cliffe
Melting Ice Rising Tides
Emma Stibbon
Resources
Advertisements
Opportunities
Previews
Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies
Danielle Creenaune: Glimmers
Nana Shiomi: Her Own Interpretation
Listings
Artist's Eye
Walking Colours
Charlotte Cornish ARE was awarded the Printmaking Today prize at RE Originals 2024 for her vivid monotype, Walking to Rydal
Year | 2024 |
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Volume | 33 |
Issue | 131 |