Printmaking Today - Autumn 2024 - Issue 131

Volume 33 Autumn 2024 Issue 131

Welcome Leonie Bradley ARE Editor

Printmaker's Diary
Looking Out, Breathing In 
Running print workshops has been particularly challenging since Covid. Anna Wilkinson, artist and Director of Northern Print, reminds herself to carve out time for exhibitions

Cuttings
Exhibitions

Intersecting symbolism

Residency

Weaving Threads

RE Membership
Gwen May Awardees

Exhibition
Liverpool Book Arts

Award
Flourishing relics
Ian Chamberlain

Cuttings
An enduring affinity
Kate Dicker

Bursary
Standing Stones

Prize
Ironbridge Prints

Expanded Practice
Colluding with nature

Function following form
Maya McMahon-Boon

Profile
With and From Print
Inma Herrera
Brings to light the processes, that are normally invisible to the viewer before a print is made, writes Ruth Pelkzer-Montada

Arresting Roots
Rebecca Swirsky
interviews Sámi artist Tomas Colbengtson on the occasion of winning the Queen Sonja Print Award about his printmaking practice

Practical
Continental Drift
Jenny Robinson on the challenges, both professionally and personally, of moving continent to set up a community-access print studio

Profile
Albrecht Dürer
Marcus Rees Roberts
on how Albrecht Dürer transformed the nature of printmaking and the concept of printmaker through his extraordinary technique

Artists' Books
Carbon Data Mining
Sarah Bodman
talks to Caroline Saltzwedel of Hirundo Press, Hamburg about her new works exploring the histories of coal

Technical
Capturing Corrosion

Marian Kilpatrick discusses rust printing with Lydia Halcrow and Alice Fox, unearthing a shared fascination with its unpredictability and its collaborative possibilities


Profile
Expanding Universe
Hormazd Narielwalla
constructs multi-layered compositions with a strong visual rhythm to explore identity and the human form, writes Emma Hill


Practical
Authenticating Prints
As the market for notable prints prospers, so too does the opportunity for fraud.  Dominic Kemp provides a useful guide to spotting fakes


Obituaries
Kip Gresham
(1951 - 2024)
Richard Bawden ( 1936 - 2024)
Phyllis Merriam (1953-2024)


Technical
Planting Prints
Dr Milena Michalski
introduces the process of phytography and explains how to work with nature to create these alluring photographic prints

Book Review
Contact: Art and the Pull of Print - Jennifer L Roberts

Bookshelf
Carinna Parraman
Prof Design Colour Print, Centre for Print Research

Book Reviews
A Model Workshop: Margaret Lowengrund and The Contemporaries
Edited by Lauren Rosenblum and Christina Weyl

Printing with Natural Dyes
Nicole Cliffe

Melting Ice Rising Tides
Emma Stibbon

Resources

Advertisements

Opportunities

Previews 
Elizabeth Catlett
: A Black Revolutionary Artist and All That It Implies

Danielle Creenaune: Glimmers

Nana Shiomi: Her Own Interpretation

Listings

Artist's Eye
Walking Colours
Charlotte Cornish ARE
was awarded the Printmaking Today prize at RE Originals 2024  for her vivid monotype, Walking to Rydal



Year 2024
Volume 33
Issue 131