Printmaking Today - Autumn 2021 - Issue 119
Printmaking Today - Autumn Issue 119 - 2021 - September
Cover
Untitled (2021)
Ruth Uglow.
Monoprint, 1000 x 700 mm
Welcome
COVID-19 LOG
Studio Directors' Journal
An anonymous group of print studio directors give an honest account of the enormous difficulties they have faced over the past 18 months
Cuttings
PROJECT
Collagraphing Stonehenge
TECHNIQUE
Experimental white ground
EXHIBITION
Fade to Black
PROJECT
You Belong Here
COLLABORATION
Folding you close
EXHIBITION
Emerging Artist
Jake Garfield
EXPANDED PRACTICE
Dancing Forward
Richenda Court ARE
Building Memories
Golnar Adili
PROFILE
Skin Deep
Taking the human form as matrix, Priscilla Romerohas created her own unique medium ‘Latexgraphy’ to record memory, writes Richard Noyce
PROFILE
The Highest Good is Like Water
Weimin He RE explores the innovative techniques and ancient dao concepts in the woodblock prints of Chen Qi
PROFILE / NEW AREs
Blooming Marvellous
Another bumper year for the Royal Society of Painter-Printmakers. Here are their newly elected Associates, 19 in all
#WIP
Symbolic Axis
Lockdown sparked a new direction for Ugonna Hosten, marrying western psychology and Igbo metaphysical thinking in collages worked repeatedly through drawings into monotypes
ARTISTS’ BOOKS
Ioannis Anastasiou and Majka Dokudowicz discuss their lockdown book project Faded Future Archive that examines our destructive past with Sarah Bodman
PROFILE
Print Revival
The Printmakers of Jamaica group was leading a mini-revival of printmaking in the country when Covid struck. Judith Salmon reports on promising new shoots
PROFILE
Under the Skin
Through intensive drawing, Ruth Uglow RE makes sense of how life is formed and how nature behaves, writes Rachel Marsh
OBITUARIES
Bruno Gorlato ARE (1940–2021)
Alan Cox RE (1941–2021)
TECHNICAL
Vitro-Litho
Retired microbiologist Francisco Hernández-Chavarría provides a step-by-step guide to his alternative lithography method which is both accessible and environmentally friendly
EDUCATION
Visualising Histories
Katie Gilmartinon The Queer Ancestors Project that brings young people together through printmaking to visualise their hidden ancestors
COLLECTIONS
A Working StateKieran Owens talks to Jacquie Moore, Art Advisor to the Office of Public Works, about purchasing prints for the Irish State’s art collection
Bookshelf
Blaze Cyan RE
Book Reviews
Listings
Opportunities
Previews
Helen Frankenthaler: Radical Beauty
Jasper Johns: Mind/Mirror
Sam Heath: The Three Crowns
MY PRINTING DAY
DanielleCreenaune
Year | 2021 |
---|---|
Volume | 30 |
Issue | 119 |